They keep going until the fuel in the truck runs out, but are still surrounded by the mist. They get into his truck and try to get clear of the mist, though it may already be across the globe, for all they know. Jessup is promptly thrown outside for the creatures to devour.Īt this point, Drayton, his young son, and the few non-Carmodyites left decide to make a break for it. The were looking for a “window”, he says – but “they opened a door!”, says Carmody. They find their scapegoat in Wayne Jessup (Samuel Witwer), who admits that the Mist and the monsters have been the result of military research into the existence of parallel dimensions.
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Towards the end of the film, she is holding sermons in the aisles her followers baying for blood to appease the horrors outside. But she makes a couple of lucky predictions about people’s deaths and the creatures being “sated” – and suddenly she is God’s unquestioned loudspeaker. At the outset, most people are laughing at her brooding piousness. Played superbly by Marcia Gay Harden, she embodies the attractive power of religion purely as a means of rationalizing the unknown.
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When the threat becomes readily apparent (in a series of brilliantly-staged attack scenes), the crowd begin to give more and more heed to Mrs Carmody. Most react with typical incredulity, and the universal small-town spats and biases rear up noone wants to be made a fool of. Much of the film’s opening hour revolves around Drayton and his friends’ attempts to convince the others that something is in the Mist. The roaming camera picks up on stolen glances, casual comments that demonstrate the mounting fear in the crowd. In fact, he absolutely knocked it out of the park.įirstly, he nails the human conflict perfectly. But the resulting film suggests that Darabont can do horror. And yet, it’s the first one that could be considered an out-and-out horror. In the same vein as Carpenter’s “ The Thing” or Boorman’s “ Deliverance“, the threatening environment is merely a stage within which the real drama of human conflict is played out.įrank Darabont’s film version of the book, which was released this year, is actually his third King adaptation, after “ The Shawshank Redemption” and “ The Green Mile“. Carmody, the local bible-basher who sees the monsters as manifestations of God’s vengeance for Man’s iniquity. The plot focuses particularly on the hero of the story, David Drayton, who must contend with Mrs. Ostensibly, it’s a good boogeyman story, but it’s less about the monsters outside than how the people trapped in the supermarket react to these extraordinary circumstances.
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It tells the story of a group of small-town residents who find themselves stranded in a supermarket when the eponymous Mist appears, bearing within it all manner of nasty beasties. A good 150 pages long, it’s actually more of a novella than a short story. “The Mist” is the tale that opens the book. His writing is as wonderful as ever, of course, and many of the stories are absolute belters.
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